Author: J. Simpson - Page 6 - Micro Genre Music

2-Step Ambient Articles Chiptune Deconstructed Club Electronic Genres Jazz Fusion Review Techno

Euglossine – Bug Planet Is the Current Timeline (Hausu Mountain)

J. Simpson J. Simpson August 25, 2023

On Bug Planet Is the Current Timeline, Gainesville, Florida’s Euglossine prove you just never know what he – or Hausu Mountain – are Read More

Articles Genres Post-Punk Review

The Sisters of Mercy – Floodland (1987)

J. Simpson J. Simpson August 21, 2023

With much of California under water due to an unheard-of hurricane, it felt like a perfect opportunity to re-assess Floodland, a Gothic Read More

Ambient Articles Genres New Age Review

UFOm – Aliens Are Real (Moon Glyph) – Review

J. Simpson J. Simpson August 15, 2023

Album: Aliens Are Real Artist: UFOm Release Date: July 28, 2023 Last month, a whistleblower from the Pentagon confirmed that the United States government Read More

Ambient Articles Dark Ambient Drone Genres Review Ritual Ambient

A°🄳+S/P°₂₃ – Monolith III (Sombre Soniks) – Review

J. Simpson J. Simpson August 3, 2023

Monolith III, the third installment in the collaborative series from A Demon Sheen and P23, is two hours of particularly deep drone-based Read More

Articles Dream Pop Genres Post-Punk Review Shoegaze

Karl Lihn – K (Echodelick) – Review

J. Simpson J. Simpson August 1, 2023

On his first solo album, Chilean composer and multi-instrumentalist Carlos Gonzales Lihn trades in the signature psych rock of his main band, Read More

Ambient Articles Genres Review

Fog Net – Headlands (Bathysphere) review

J. Simpson J. Simpson July 31, 2023

Headlands – the first full-length Fog Net, a new collaboration Bathysphere Records co-founder Justin Longerbeam and Niko Ramsdell, is ambient in every sense Read More

Euglossine – Bug Planet Is the Current Timeline (Hausu Mountain)

The Sisters of Mercy – Floodland (1987)

UFOm – Aliens Are Real (Moon Glyph) – Review

A°🄳+S/P°₂₃ – Monolith III (Sombre Soniks) – Review

Karl Lihn – K (Echodelick) – Review

Fog Net – Headlands (Bathysphere) review

Scene Report: Synth Library 10th Anniversary at Process –...

As Good As It Gets: Max McNown at...

Birds Sing to Me in My Dreams –...

What We’re Listening to This Week (7.3.26)

Oslated 10th Anniversary: Presence I – V/A –...

What We’re Listening to This Week (6.25.26)

The Jack London Revue – 6.12.26 – Scene...

What We’re Listening to This Week (6.13.26)

Amplitude Modulation – V/A – Pinecone Moonshine [PCMS...

Dream Child – Omari Jazz (2020) – Album...

Scene Report: Synth Library 10th Anniversary at Process –...

As Good As It Gets: Max McNown at...

Birds Sing to Me in My Dreams –...

What We’re Listening to This Week (7.3.26)

Oslated 10th Anniversary: Presence I – V/A –...

What We’re Listening to This Week (6.25.26)

The Jack London Revue – 6.12.26 – Scene...

What We’re Listening to This Week (6.13.26)

Amplitude Modulation – V/A – Pinecone Moonshine [PCMS...

Dream Child – Omari Jazz (2020) – Album...

Artist Spotlight: Production Unit Xero (Ramon Mills)

Nothing, Nothing – NUNDALE (2022) – Album Review

Scene Report: Live in the Depths 89

Sonic Adventurer’s Consortium Vol 4 [HTX116]

What is Breakcore?

Drexciya – Neptune’s Lair (1991) – Review

Artist Spotlight: Drexciya

What is Acid House?

Ambient 4: On Land – Brian Eno (1982)...

Musick to Play in the Dark – Coil...

Scene Report: Synth Library 10th

As Good As It Gets:

Birds Sing to Me in